Friday, July 16, 2010

Caroline Gravière

Caroline Gravière, née Estelle Crèvecœur le 27 mai 1821 à Bruxelles et décédée le 20 mars 1878, est une écrivaine belge d'expression française.

Source Wikepedia

Jean Baptiste Madou

Jean Baptiste Madou (3 February 1796 – 31 March 1877), was a Belgian painter and lithographer.Madou was born in Brussels. He studied at the Brussels Academy of Fine Arts and was a pupil of Francois. While draftsman to the topographical military division at Kortrijk, he received a commission for lithographic work from a Brussels publisher. It was about 1820 that he began his artistic career. Between 1825 and 1827 he contributed to Les Vues pittoresques de la Belgique, to a Life of Napoleon, and to works on the costumes of the Netherlands, and later made a great reputation by his work in La Physionomie de la société en Europe depuis 1400 jusqu'à nos jours (1836) and Les Scenes de la vie des peintres.

It was not until about 1840 that Madou began to paint in oils, and the success of his early efforts in this medium resulted in a long series of pictures representing scenes of village and city life, including The Fiddler, The Jewel Merchant, The Police Court, The Drunkard, The Ill-regulated Household, and The Village Politicians. Among his numerous works mention may also be made of The Feast at the Chateau (1851), The Unwelcome Guests (1852, Brussels Gallery), generally regarded as his masterpiece, The Rat Hunt (acquired by Leopold II, king of the Belgians), The Arquebusier (1860), and The Stirrup Cup. At the age of sixty-eight he decorated a hall in his house with a series of large paintings representing scenes from La Fontaine's fables, and ten years later made for King Leopold a series of decorative paintings for the chateau of Ciergnon. Madou died in Saint-Josse-ten-Noode on 31 March 1877.

Source: Wikepedia

Charles Degroux

Charles de Groux suit une formation à l'Académie des beaux-arts de Bruxelles auprès de François-Joseph Navez de 1838 à 1849, puis à l'Académie de Düsseldorf en 1851. Il a été illustrateur, tout comme Félicien Rops, pour le périodique Uylenspiegel.
Il est l’un des membres fondateurs en 1856 de la Société belge des aquarellistes et en 1868 de la Société libre des beaux-arts.
Charles de Groux a marqué de son influence plusieurs jeunes peintres réalistes, parmi lesquels son élève, Constantin Meunier.
Charles de Groux est le père du peintre Henry de Groux